The National Magazine of RecordFounded San Francisco 1967 · New York since 1978
Tumbling Pebble
Kay Ashworth at an upright piano conducting the band with a raised pencil
Tumbling Pebble
No. 604December 20, 1990$2.50
  • Year-End Double Issue
  • Blackmarket Kittens: Claws Out
  • Mechanical: Annual
The Year in RecordsTen From Where You Weren't Looking

Cover photograph courtesy of Fiddle & Flag.

No. 604 · Thursday, December 20, 1990 · $2.50

Year-End Double Issue

Recovered by the archive September 12, 2026.

Contents

The Year in Records

1990

Ten From Where You Weren't Looking

The best records of 1990 came out of a hangar in Wichita, a kitchen table in Cookeville, a room above a laundromat in Detroit and a ballroom at a sales convention. Very few of them came anywhere near this office. We went to them.

The Motor Lounge, Detroit, at night
The Motor Lounge, Detroit. Where Claws Out was first played. Photograph courtesy of Blackmarket Kittens.

Every December we are asked whether it was a good year. It was a good year. It was a good year in the way the last several have been: almost none of it happened where the record business is.

Our list was made the way it is always made. The editors and the magazine's regular reviewers were each asked for ten records released between the first of December last year and the end of November this year. We spent an afternoon on Hudson Street arguing about them. Nobody changed anybody's mind about the order, so the order below is the average. The records that mattered, we noticed when we were done, were made by people who had jobs to get back to: aircraft mechanics, line cooks, a hardware store, a convention circuit, a farm.

The records that mattered were made by people who had jobs to get back to.

At the top is Claws Out, by Blackmarket Kittens. We put them on our cover four years ago, when their record had sold 340 copies. We do not raise the point to take credit. We raise it because the band has spent four years becoming exactly as good as we said it was, and then better, and the title song was written on stage during a set that was billed for forty-five minutes and ran three hours.

Second is Morning Colors, by Fiddle & Flag, who recorded it in Nashville this spring with Kay Ashworth conducting from the piano with a pencil. It is named for the flag raised at first light on every Army post, and it ends with Ashworth alone at the piano. It is the band's best record and the most quietly affecting record of the year.

Third is Annual, the first record by Mechanical, five aircraft mechanics from Wichita who tune to A440 because the manual says so. It is three songs long. One of them is about a vibration. We have learned more about engines from it than we expected to and more about metal than we thought there was left to learn.

The rest of the list goes from Huntsville, Texas, to Kapaʻa, on Kauaʻi, by way of Mobile, Lancaster County, Corpus Christi, Dallas and New Orleans. We have not heard a bad record among them. We have heard several that will be on next year's lists in other magazines, which will discover them then. We were glad to be early. We are always glad to be early.

The List

The Best Records of 1990

Records released December 1, 1989, through November 30, 1990. Chosen by the editors and reviewers of Tumbling Pebble.

  1. 1

    Claws Out

    Blackmarket Kittens · Backdoor

    Thin production, enormous songs. Dani Morel is the guitarist of the year.

  2. 2

    Morning Colors

    Fiddle & Flag · Falling Water

    Conducted with a pencil. Ends with Kay Ashworth alone at the piano.

  3. 3

    Annual

    Mechanical · Thrust Reverser

    Three songs, one vibration, no tolerance for error.

  4. 4

    Three to Five

    Incarcerated Kittens · Barbed Wire

    Eight thousand copies in Texas. Hard-rock blues with a slide guitar that does not ask permission.

  5. 5

    What Are You Gonna Do

    Critter's Gonna Critter · What Are You Gonna Do

    The same answer to every question on it. The Gulf Coast's best bar band.

  6. 6

    Shunned

    Amish Bearded Nuts · Barn Burner

    Quieter than the first two. The title song is about a fear, not an event.

  7. 7

    The Wingspan Sessions

    The Seagle · Wingspan

    Four sides, two nights, two singers and one microphone.

  8. 8

    What Are We

    Rooster Pancake · Mixed Signals

    Recorded on a lānai on Kauaʻi over four Sundays. Two roosters, uninvited.

  9. 9

    The Awards Banquet

    Powered by Sheer Righteousness · Stemmons Audio Programs

    Recorded live between the salad course and the plaques. The applause is the audience's own.

  10. 10

    The Farewell Sauce

    Spanking The Sauce · Back Door

    Released as the restaurant closed. The sleeve has one line on it, and it is the right one.

Records

Reviews in this issue. Stars as awarded.

Claws Out

Blackmarket Kittens · Backdoor · 1990

The title song was made up on stage in Detroit during a show that was meant to last forty-five minutes and lasted three hours, and it is the best rock and roll song of the year. Everything else on Claws Out is nearly as good. "Velvet Claw," "More Glass Than Necessary" and "Good Call" are tight and furious; "You Girls" and "The Third Time" settle a score with great precision and no wasted words. Suki Park's bass on the title track is a lesson. The production is thin. We do not care, and after the first side, neither will you.

Ruth Abernathy

Morning Colors

Fiddle & Flag · Falling Water · 1990

Named for the flag raised at first light on every Army post, and made by a band that has stood for the anthem before every show for eleven years. Morning Colors is about service, homecoming and the people who wait, and it is never once loud about it. "Folded Thirteen Times" and "The Ones Who Came Home" are as fine as anything Cap Redmond has sung. "Short-Timer's Calendar" will make a veteran laugh and then not. The record ends with "Benediction," Kay Ashworth alone at the piano, and we sat through the silence afterward without moving.

Celia Marchbanks

Annual

Mechanical · Thrust Reverser · 1990

Named for the inspection, not the calendar. Three songs from five certificated aircraft mechanics in Wichita: "Run-Up," "Compression Check" and "Vibration (B-flat)," which is about a disagreement over a note and is the heaviest thing we have heard since we stopped counting. Everything is tuned to A440. Everything is in time. Emmett Ostrander's engine recordings sit under the guitars like a second rhythm section. Industrial metal made by people who can tell you what every noise on it is.

Leon Szabo

Letters

Correspondence

Sir: In 1986 you reported that Blackmarket Kittens played a little over two hours at the Motor Lounge. In November of last year I was at the Motor Lounge when they played three hours and seven minutes. The bill said forty-five. I was there for all of it. Somebody should tell you there is a tape. I believe the desk was rolling.

— G. N., Detroit

We have asked. Nobody seems to know. — Ed.

Sir: I am an aircraft mechanic at an airport in Wichita. Your reviewers may be interested to know that the low drone on "Vibration (B-flat)" is a B-flat. I have checked it against the engine.

— A&P mechanic, Wichita, Kan.